Link to my Compositing Reel 2022 can be found here: https://vimeo.com/674700942.
Please contact me for the password to access the video. The password protection is in place due to DHX Media/ Wild Brain's policy about footage sharing. This revision contains a lighting and compositing rendering based on the “Renderman Magic Shop Art Challenge - 2020.”
SANDRA HERMAN | Compositing Reel 2022 Shot Breakdown
00:00 – Charlie’s
Colorforms City 1, “Mystery Charlie.”
Title Card: is cut from the end of Harmony “Brain-bow” show effect; created for the series by Ken Turner, 2D Animator. Maya glitter animation is rendered by Tristan Mailman, Pipeline TD.
Nuke.
00:02 – Little
People 2, “Braver Together.”
Existing animation department footage of fireflies used to render hold-out passes. These sequences were then made to glow yellow, flicker on-off, and also scaled to fit the background.
Maya, Renderman, Nuke.
00:08 – Doozers 2,
“Holed Up.”
The animated rocks are sourced from a previous shot made by the animation department. A short sequence was rendered and combined with a locator constrained to the vehicle to emit rock particles. Dust clouds are adapted from the series jet-pack tool developed by James Dalziel.
Nuke, Maya, Renderman.
00:13 – Inspector Gadget 2, “Midnight Madness.”
Roto-lightening shapes, timed on-off using echo-node, skeleton graphic and cast glow composited in Nuke. Matches look of reoccurring effect, established in “Jurassic Jerk” (2017).
Nuke, Maya.
Title Card: is cut from the end of Harmony “Brain-bow” show effect; created for the series by Ken Turner, 2D Animator. Maya glitter animation is rendered by Tristan Mailman, Pipeline TD.
Nuke.
Existing animation department footage of fireflies used to render hold-out passes. These sequences were then made to glow yellow, flicker on-off, and also scaled to fit the background.
Maya, Renderman, Nuke.
The animated rocks are sourced from a previous shot made by the animation department. A short sequence was rendered and combined with a locator constrained to the vehicle to emit rock particles. Dust clouds are adapted from the series jet-pack tool developed by James Dalziel.
Nuke, Maya, Renderman.
00:13 – Inspector Gadget 2, “Midnight Madness.”
Roto-lightening shapes, timed on-off using echo-node, skeleton graphic and cast glow composited in Nuke. Matches look of reoccurring effect, established in “Jurassic Jerk” (2017).
Nuke, Maya.
Sand wake created in Nuke, elaborated on existing reuse show effect, the series jet-pack tool developed by James Dalziel.
Maya, Nuke.
00:20 –
Charlie’s Colorforms City 1, “Charlie is Super.”
Harmony sequences are from the design department and 2D animation work is by Ken Turner. Motion-blur for the squiggles, glow behind character, and timing for when elements appear is arranged in Nuke.
Nuke.
Harmony sequences are from the design department and 2D animation work is by Ken Turner. Motion-blur for the squiggles, glow behind character, and timing for when elements appear is arranged in Nuke.
Nuke.
00:23 – Kingston
Paradise.
Arranged muzzle flashes and cast glow, also adjusted smoke footage placement.
After Effects, Photoshop.
Nuke.
Arranged muzzle flashes and cast glow, also adjusted smoke footage placement.
After Effects, Photoshop.
Nuke.
00:30 – Classic
Tales with a Twist, “Charlie and Little Bo Peep.”
Nuke rebuild of simple camera flash tool from season one, applying a glowing flashbulb for this version.
Nuke.
00:35 – Inspector
Gadget 2, “Gadget and Oatsfunkle.”
Tornado provided by animation department; however, the geometry is used to emit white motion blur streaks. Characters also brightened to contrast background.
Nuke.
00:42 – Renderman "Magic Shop" Art Challenge.
Matilda model by Xiong Lin and rig by Leon Sooi. Pixar models by Eman Abdul-Razzaq, Grace Chang, Ethan Crossno, Siobhán Ensley, Derrick Forkel, Felege Gebru, Damian Kwiatkowski, Jeremy Paton, Leif Pedersen, Kylie Wijsmuller, and Miguel Zozaya © Disney/Pixar - RenderMan “Magic Shop” Art Challenge.
Tornado provided by animation department; however, the geometry is used to emit white motion blur streaks. Characters also brightened to contrast background.
Nuke.
00:42 – Renderman "Magic Shop" Art Challenge.
Matilda model by Xiong Lin and rig by Leon Sooi. Pixar models by Eman Abdul-Razzaq, Grace Chang, Ethan Crossno, Siobhán Ensley, Derrick Forkel, Felege Gebru, Damian Kwiatkowski, Jeremy Paton, Leif Pedersen, Kylie Wijsmuller, and Miguel Zozaya © Disney/Pixar - RenderMan “Magic Shop” Art Challenge.
Textures on character model provided by Disney/
Pixar - Renderman Magic Shop Art Challenge, while the props textures, lighting,
and compositing are by Sandra Herman.
Maya, Renderman, Nuke.
Maya, Renderman, Nuke.
00:52 – “Acapulco,” Short Film.
Clean mattes of screen-left wall, rotoscoping, and tracking to hold mattes during camera move.
After Effects, Photoshop.
00:58 – Little People 2, “Kolby Speaks Up.”
Spheres emitted by scrubbers rendered from Maya. Escaping bubbles adapted from Nuke bubble tool developed by Gregory Gibbons for episode “Potty Ahoy!” Nuke waterspout by Joel LeLievre, adapted from Little People Season 1.
Maya, Renderman, Nuke.
01:03 – Charlie's Colorforms City 1, "Mystery Charlie."
The same footage used for Title Card, only now it is a still frame.
Video run-time: 1:04 seconds.
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