Compositing Reel, Version July 2014, found on Vimeo
This revision includes footage breakdowns of a 3D ceiling cut-out with an animated camera as well as a scene showing rotoscope and tracking from the short film "Acapulco" (2014). The camera pan used in the Dropship project has been removed temporarily.
SANDRA HERMAN | SHOT BREAKDOWN
Introduction, 9 seconds | After Effects
Cement overlay, colour solids, glow, reflection, animation keying by Sandra Herman
VFX Muzzle Flash, “Kingston Paradise,” Feature Film, 13 seconds | After Effects
Footage courtesy of director Mary Wells and Autonomous Entertainment
Two shots, compositing: muzzle flash, glow effect, smoke integration by Sandra Herman
Ceiling Cut-out, “Acapulco,” Short Film, 32 seconds | Photoshop, After Effects
Footage courtesy of directors Samuel Plante and David Planche
Compositing: 3D projection, 2D matte keying, 3D cameras, extended carpet-floor, colour correction, lights by Sandra Herman
Clean-up and Tracking, “Acapulco,” Short Film, 7 seconds | Photoshop, After Effects
Footage courtesy of directors Samuel Plante and David Planche
Compositing: background and foreground wall mattes, tracking, rotoscope wall/cushions by Sandra Herman
Dropship, “One’s Own Body,” Short Film, 20 seconds | Maya, Photoshop, After Effects
Model courtesy of Conor Loftus and CWPL Films
Metal textures and shaders, lighting, camera, rendering by Sandra Herman
Neon and Chrome, Project, 26 seconds | Maya, Mental Ray, Photoshop, After Effects
Model by Christopher Desse and Matthew Thain
Camera, vehicle rig, textures, interior/exterior lighting, rendering by Sandra Herman
Captain’s Log: Stormy Pursuit, Project, 17 seconds | Maya, Mental Ray, Photoshop, After Effects
Model by Giorgio Luciano
Textures, lighting, 2D matte keying, dynamic water, rendering by Sandra Herman
sandratraceyherman@yahoo.ca | sandraherman.blogspot.ca
